It takes about 20 minutes to get to LaGuardia airport by car. The nearest bus stop is Grand Concourse & East 144th Street only 300 metres away. Offering BFA, MFA, MA, MAT and MPS degrees. Guests can enjoy American and Italian meals at Giovanni's Pizza within 6 minutes' walk of the venue. A multidisciplinary college of art and design known for its unparalleled faculty and innovative curriculum. They include a refrigerator and a microwave.Ī buffet breakfast is served every morning in the bar.
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The rooms at this excellent property offer multi-channel TV, a flat-screen TV with satellite channels and a TV with cable channels. The hotel is only a short drive from The Metropolitan Museum of Art. Located in West Bronx district, this accommodation is 300 metres from 149th Street-Grand Concourse tube station and close to MTA Subway. Business travellers will appreciate conveniences like high-speed Internet access throughout the venue and access to a fax machine, a business centre and a xerox. Ellis made in his own space, and it shows an artist expanding both formally and metaphorically, as well as the ways artists of his generation absorbed diffuse source material into hybridized forms, like cartographers redrawing the shape of the city in real time.The 3-star Holiday Inn Express - Bronx Nyc - Yankee Stadium, An Ihg Hotel New York is set 2.2 km from the 480-acre Randall's Island Urban Park and 2.6 km from the private Ivy League research Columbia University. “Reflections in a Golden Eye” is one of the first pieces of art Mr. He would paint on rooftops or in corners lent by friends. When Ellis began making paintings he wasn’t yet in a studio of his own. Where there’s a lot of negative connotations about the Bronx, I always saw the positive.”
“My studio has been in the Bronx for decades now. In its desire to present a corrective portrait of a misunderstood place, “The Explorers” has an affinity with an older work, “Reflections in a Golden Eye,” from 1992, also on view, a pastoral toile of daily Bronx street life - the botanica, the mother and child, stoops, the subway - joined by a Rauschenbergian construction of studio flotsam: a mousetrap, a T-shirt silk-screen, a “Danger” sign. Every week something was going on you didn’t want to miss out on.” “I feel like when you read about the history of what happened then, it looks like these events could have taken place over 20 years, but it was only a few years. Today it’s considered a blueprint of modern hip-hop. Ellis recalls a night at the Mudd Club when Basquiat pressed a fresh copy of “ Beat Bop,” his spacey, panoramic record with Rammellzee and K-Rob, into his hands. “I was a part of that, too.” Nightclubs provided space for experimentation, exhibiting work that established galleries were less keen on. “This would have been the scene in Danceteria or Area, this weird mixture of all these different characters from all levels of society,” he said. “Untitled (City),” from 1984, shows a crowded club scene, a Reginald Marsh-like crush of punks and poets and people simply trying on new personas the way one might a fez, as a figure in a lower corner does. It’s a memento mori, charging the canvas with the specter of death but also salvation, ideas that for the graffitist go hand in hand the art at once a source of peril and a lifeline.īy the early 80s Ellis had transitioned into a studio practice that translated the energy of its moment. Ellis, 59, was one of the few graffiti writers that used a respirator while using aerosol paint, which in the ’80s could still contain lead. The canvas is crowned by a serious-looking respirator - Ellis’s own - that hangs over it like a halo. Address and Phone Number for High School Of Contemporary Arts, a Public School, at E Gun Hill Rd, Bronx NY. The tunnel scene rises into a washy field of bright greens and vaporous pinks, as if leaving the earthly plane for something celestial. High School Of Contemporary Arts Contact Information. “Each one of these guys had their own story to tell,” he said. They largely represent first and second generation graffiti writers - Dondi, DON1, IZ, NIC 707, Phase 2. For writers, the visual representation of one’s name is sacred currency, and Ellis renders each in the precise style of its originator, an affecting devotional act. On its walls and the sides of a subway car he’s committed the tags of writers he’s known. “A Memorial” (2020), for instance, depicts a train tunnel shrouded in icy blue darkness, a construction of the ones Ellis spent countless hours in.